民国织物纹样设计中的“拿来主义”现象研究
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南京艺术学院

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A Study on "Borrowlism" in Fabric Pattern Design During the Republic of China Period
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    摘要:

    民国时期“拿来主义”盛行,外来文化和技术如何影响当时国内织物纹样设计体系的重构,是需要探讨的问题。以北京服装学院民族服饰博物馆馆存的传世旗袍实物、民国织物设计画稿为研究依据,对相关图像资料进行采集、分类与复原,分析民国织物纹样设计的审美特征、文化特征与技术特征,得出虽然民国织物纹样设计对外来文化和技术有一定的借鉴与模仿,但也存在肤浅与粗糙、非系统性的片面应用等问题。

    Abstract:

    During the Republic of China period, "Borrowlism" was prevalent. How foreign culture and technology affected the reconstruction of the domestic design of fabric patterns system at that time is an issue that needs to be discussed. Based on the handed down cheongsam objects and the design drawings of the Republic of China fabrics in the Ethnic Costume Museum of Beijing Institute of Fashion Technology as the research basis, the relevant image data are collected, classified, and restored, and the aesthetic characteristics, cultural characteristics, and technical characteristics of the design of the fabric patterns of the Republic of China are analyzed. The design of fabric pattern design has certain references and imitations of foreign culture and technology, but there are also problems such as superficial and rough, non-systematic, and one-sided application.

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肖梦钰.民国织物纹样设计中的“拿来主义”现象研究[J].创意设计源,2022,(2):32-37

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  • 在线发布日期: 2025-05-13
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